A small selection of published work. All rights = relevant publications. Click here to see tearsheets/clips.

Features + essays
How a 130 million year dinosaur went digital
Chewing on the complex legacy of Jaws
Across Europe, a haunting pathway to genocide
In search of the Mediterranean’s giant sharks
Pride, prejudice and Appleby Fair
Unmasking Howard Carter
– In praise of Britain’s mountains
Inside Iraq’s ‘black anaconda’
Why Jack London was as wild as his books
– Sutherland: to the north, relentlessly
Beneath Paris lies a forbidden world of the dead 
A reality star is building a nuclear reactor in Milton Keynes
– Revisiting The Ascent of Rum Doodle 

Travel + adventure
Atomic echoes at Orford Ness
Northern Highlands on the longest night
Skiddaw in a hurricane
Winter dawn on Scafell Pike
Weighing the World: The Schiehallion Experiment
Underground to Gaping Gill
The Eiger (for everyone)
Low flying through the British hills
Frozen and hypoxic: what’s that like?
Reappraising ‘cursed’ Saddleworth Moor
Winter bothying in Scotland’s most remote place
The Highlands by camper

Interviews 
– Harrison Ford on the legacy of Indiana Jones
– Damon Albarn on turning landscape into music
– Jane Goodall on hope
Robert Macfarlane on the spaces beneath us
The world according to Jeff Goldblum 
– Mick Fowler, part-time record breaker
Willem Dafoe on Togo
– On the road with Reinhold Messner
– Keeping up with the Fienneses
– Hans Zimmer on scoring the natural world

The Guardian – selected Country Diaries
People are walking in the middle of the sea
– Corvids erupt from their knotted watchtowers
– Nature’s darkness creature has become ours, too
– Our association with moors runs dark and deep
– Glen Coe glowers under cloud
– Hard rock on the Cuillin
– A Devon village in slow peril
– Cumbrian corpse road at twilight
– A land on the edge of darkness

Collaborations
The Meeting Place (words for National Trust x Katie Paterson art installation, First There is a Mountain)
On the wards in COVID-19 Britain (ed. for Lynsey Addario, National Geographic